Surugadai Hokusai Poster 'Sundai'
Hokusai's view from the Surugadai hill in Edo, a pine leaning over a street of walkers and a roof, with Fuji small on the horizon, on stretched canvas in three sizes.
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The short answer
Canvas print of Hokusai's Surugadai in the Eastern Capital from the Thirty-six Views of Mount Fuji: a pine leans over a street of townspeople below a hill, a tiled roof at the right, and Fuji small and white on the horizon under a cream sky. Stretched on a wooden frame, three sizes.
Sizing
Cut to Asian sizing, which runs smaller than US sizing. Between two sizes, take the larger. Measurements are taken flat; allow 2 cm.
Between two sizes? Text +1 332-249-4051 or email contact@yonaku.com. A person replies.
Fabric & care
The composition is stated in the description and printed on the inner label. Machine wash cold, inside out, with similar colours. Hang to dry. Iron on low, inside out over prints or embroidery.
Shipping & returns
Shipping is free on every order, with no minimum. Duties and import taxes are prepaid at checkout. Orders leave in 1 to 3 business days and take 6 to 12 business days on average; a tracking number is emailed on dispatch.
You may return any item within 30 days of delivery for a full refund. Write to contact@yonaku.com and we email you a prepaid label.
What we sell, and what we don't
Japanese designs, made in Asia. Cotton, linen or polyester as stated on each piece, never silk. We name every garment for what it is: a kimono jacket is not a haori, an unlined kimono is not a yukata.
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About this piece
Hokusai print of the hill at Surugadai, a pine over an Edo street and Fuji
A pine leaning over a street, and the mountain far off. This is Hokusai's view from the Surugadai hill in Edo: a great pine bends from the left over a road where townspeople walk and a porter carries a load, a tiled roof rises at the right, green slopes fill the middle, and Fuji sits small and white on the horizon under a sky that fades from cream to blue. It is one of the quieter views in the series, and the mountain is the smallest thing in it.
It is the print for a person who wants Fuji in the picture and not in the centre.
The name, Sundai, is the old short name for Surugadai, the hill in Edo the view is taken from, and the print is that hill on a morning.
The print is reproduced from the woodblock print on a textured canvas, stretched round a wooden frame with the image wrapping the edges, so it hangs without a frame and without glass. The colours are the print's own: the deep Prussian blue, the cream of the paper, the greens and the rose of the sky. The cartouche with the series title and the artist's signature is printed in the corner, as on the Edo sheet.
Hang it on a single nail at eye level, alone or in a row of three with two others from the series, which is how they look best. It goes above a desk, a sofa or a bed.
The pine is the detail: it leans out of the frame at the top left with its needles drawn in dark clumps, and it is the shape the eye follows down to the street. The walkers below are drawn small and in motion, and one carries a bundle on a pole.
Every print in the collection is photographed on the same wall at the same scale, so the pages compare.
Dust with a soft dry cloth or a brush; do not wet it. Keep it out of direct sun, which fades the blue over years, and away from a radiator, which loosens the canvas.
From across a room it is a green and cream picture with a dark tree. From close the walkers show their loads, the roof its tiles, and Fuji its size. It is the print for a hallway and a person who likes a view with people in it.
Three sizes: 40 by 60 cm, 50 by 75 cm and 60 by 90 cm. The smallest suits a shelf or a small wall, the middle a desk, the largest a wall on its own. The image is the same in all three.
Questions about the japanese wall art
Are these original prints?
No. They are reproductions of Hokusai's Thirty-six Views of Mount Fuji, woodblock prints from the 1830s that are long out of copyright, printed on canvas or cloth from the images. Every page says so.
Canvas or poster?
The single views are printed on a textured canvas stretched round a wooden frame, with the image wrapping the edges, so they hang without a frame or glass. The three triptychs are cloth panels held in wooden hanging rails with a cord.
What sizes are there?
Singles: 40 by 60, 50 by 75 or 60 by 90 cm. Triptychs: three panels each of 30 by 60, 40 by 85 or 50 by 102 cm. Every print is photographed at the same scale, so the pages compare.
Are they made in Japan?
No. They are a Japanese design, made in Asia. We say so on every page.
How do I hang them?
A single canvas hangs on one nail or picture hook. A triptych hangs on three nails at the same height, a finger's width apart; the gaps become part of the picture.
How do I look after them?
Dust with a soft dry cloth; do not wet. Keep out of direct sun, which fades the blue over years, and away from radiators. Roll a triptych panel if it comes down; never fold it.
What we sell, and what we don't
Japanese designs, made in Asia. Cotton, linen or polyester as stated on each piece, never silk. We say so on every page, because the alternative is selling you a word instead of a garment.
On the record
| Piece | Surugadai Hokusai Poster 'Sundai' |
|---|---|
| Chapter | 家Home |
| Collection | All japanese wall art |
| Fabric | Printed canvas, wooden stretcher frame |
| Sizes | 40X60cm · 50X75cm · 60X90cm |
| Made | Japanese design, made in Asia |
| Reference | YONA-0676 |